I’m from Southern California, born and raised, yet every day I still find something new in my own hometown. I came across this place when a fellow yelper checked in. I immediately bookmarked it and have been wanting to visit is quirky house ever since. I got the chance when some of my East Coast friends wanted me to play tour guide.
The GPS led me directly to the address, and I found a parking spot right next to house and took a few pictures, and was amused when I saw a bunch of Hollywood tour vans also slowing down for their customers to take pictures. I kept my distance and did not trespass.
I had no idea about this house, so I looked it up on Wikipedia. Here’s what it said:
The Spadena House, also known as The Witch’s House, is a storybook house in Beverly Hills, California. Located on the corner of Walden Drive and Carmelita Avenue, it is known for its fanciful, intentionally dilapidated design, and is a landmark included on tours of the area.
The house was designed by Hollywood art director Harry Oliver, who went on to play a major role in Storybook architecture. Oliver was a Hollywood art director who worked on more than 30 films between 1919 to 1938 as art director, art department & as set decorator. It was originally built in 1921 to serve as the offices and dressing rooms for Irvin Willat‘s film studio in Culver City, and was moved to its present location in 1934. The converted private home, with its pointy, lopsided roof, tiny windows and stucco with a distressed paint job were then surrounded by an intentionally overgrown English-style garden and a moat-like pond.
The first residents of the 3,500 square feet (330 m2) home, the Spadena family, lent the house their name. A second family moved in and renovated the interior in the 1960s, making some exterior alterations including a skylight visible from certain angles. The moat began leaking under the second family’s ownership and they filled it with soil, and planted a garden.By the time the house came on the market again in 1997, it had fallen into disrepair. Because of the value of its prime location, it was unable to immediately find a buyer uninterested in a teardown of the property. Consequently Michael Libow, a real estate agent, who did not want to see the home demolished, purchased it and began a gradual renovation. After tall, black fencing was initially placed around the lot, the owner received hate mail from people who thought he was going to tear it down.
The residence still appears to this day in movies, including 1995’s Clueless.